Alec L. Critten
Far more than a simple piano album, the swells of beautiful ambience in the background mixed with the warm hum of tape provide a soothing atmosphere to get lost in. While brief, this album is immensely comforting, like a warm blanket on a snowy day. A richly-rewarding ambient album.
Favorite track: 序.
A very pretty, somewhat melancholic album. It sounds wonderful on vinyl, and I've absent-mindedly discovered how wonderful it is at 33rpm. Ian's enclosed newsletter is also appreciated.
Favorite track: Every Ending Is A Little Sadder Now You're Gone.
Odile A. O. Strik / Evening of Light
Ian Hawgood’s latest solo work, 光 (2018, Home Normal / Eilean) is a thing of fragile beauty. His piano has exactly the right hazy texture, the compositions the right balance of melancholy and mystery.
Favorite track: 屈折.
Limited edition white vinyl designed by Rutger Zuydervelt with bonus downloads of '彼方' (Part One + Two), and the pre-version (original reels cut) of '光' . Shipped in double walled thick card mailer with extra inserts.
Includes unlimited streaming of 光
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
‘光’ is my first proper solo album in over 6 years. Following on from ‘The Shattered Light’, ‘光’ came about after bringing my childhood piano over from the UK to Warsaw, Poland last year, and recording directly onto reams of reels through my various reel-to-reels.
I ended up with hours of recordings leftover, randomly choosing some of my favourite short pieces to include on ‘光’. The album came out in limited edition on Eilean Records in June alongside the digital. The vinyl edition was designed by Rutger Zuydervelt and includes a bonus 90 minute exclusive download of collated pieces that didn’t make it to the album.
Huge love and thanks to Mathias at Eilean for pushing me to complete something after all these years, as without this I’d still just be surrounded by piles of recordings collecting dust.
'The first thing you’ll notice is the deliberate lo-fi sound quality of the recordings, which is perhaps not what you’d expect from a seasoned sound engineer. The music is performed on his childhood piano, using old disused reel to reel recorders and an array of vintage synths.
The result is that these pieces are very intimate: it’s as if this album was specifically recorded personally for you.' Ambient Blog
'The music seems to be coming out of a coma, out of a struggle, re-emerging from a bleak hibernation as the sun lights up its face. It’s alone with its thoughts, but it’s never isolated. As introverts need the escape route of alone-time in order to recharge and recuperate, the music does, too, keeping its head up with nine positive affirmations in a world too cruel for a good heart. Recorded using his childhood piano and absconding from the use of any computers or effects (save for reel delays), the result is freedom in music. Its absence is refreshing. Standing alone, the music dares to hope, never wanting to land. Hawgood’s music burns into the heart, stretching out like a delay-drenched, endless summer.' James Catchpole (Fluid Radio)
'Drony, jeśli już się pojawiają, zaledwie muskają fakturę. Całość opisu „光”można by zamknąć w opisie „fortepian na tle ambientu”. Z tym tylko, że tu nie chodzi o żadną wywrotowość, ale umiejętność stawiania akcentów czy budowania aury.' Jarek Szczęsny (Nowa Muzyka)
'Memory is bittersweet: it retains the tangible preciousness of a moment, the sweetness of an instant, and yet keeps it from physical reach, the mind distanced from the true fullness of feeling. It lives on though, and whilst we might never quite reach its exactness again, we can relish in the knowledge of its occurrence and be sustained by its afterglow.' Hear Feel
'The sound quality reflects the built up emotions touched upon in the title. The drones hold onto a haunting melody similar in nature to the piano.' Drifting, Almost Falling
'センチメンタルなメロディをそっと奏でる優しいピアノ〜儚いおぼろげなピアノと、その残響音の微かなドローンが緩やかに広がる、デリケートで美しいソロ・ピアノ〜ピアノ・アンビエント・サウンド。前作『Love Retained』と同じく、ピアノをオープン・リールのテープ・レコーダーで録音して、テープの素材を後から編集して作られた同じ流れを汲む作風の作品ですが、『Love Retained』の時よりも形のはっきりとしたピアノのフレーズのサウンドの比重を増やして、静かなアンビエント感もあり、そしてより優美でクラシカルな趣もあるピアノ作品に仕上げています。' Linus Records
'Mais si Every Ending Is A Little Sadder Now You’re Gone, dixit le morceau le plus angoissé de l’album aux cascades de piano lo-fi et embrumées, c’est finalement la ferveur qui domine et l’idée, relayée par ces drones vaporeux, que rien ne s’éteint jamais vraiment, surtout pas notre foi en la vie. Modeste et touchant, comme son auteur, 光 est de ces disques qui vous guérissent l’esprit en toute humilité.' Indie Rock Mag
'Rien de plus mais c'est déjà amplement suffisant dans cet art du less is more pour réinventer un monde emplie de beauté. L'anglais a aujourd'hui posé ses valises à Varsovie en Pologne et on peut sûrement entendre ce sublime 光 comme une lettre d'adieu à l'archipel nippon. L'album continue en tout cas d'inscrire, à ceux qui pourraient encore en douter, Ian Hawgood parmi les grands de l'ambient. Il est à écouter en intégralité à cette adresse.' dMute
'Le note dello strumento si librano delicate espandendosi come frammenti di morbida luce proiettati verso un orizzonte distante nel quale diluirsi divenendo indelebile traccia emozionale. Tutto scorre nostalgicamente lento lasciando propagarsi un portato sensoriale incline ad una inesauribile ricerca dello stupore...Una toccante raccolta di intime istantanee pervase da sincero calore.' So What Musica
'La música de Hawgood es silenciosa, minimalista y levita en la atmósfera con sutiles notas de piano y melodías que se despliegan lentamente dejando a la deriva nubes ambientales...Me atrevería a decir que “光” es unos de los discos fundamentales en el catálogo de Eilean Rec.' Loop
'Ian Hawgood lets these songs evolve with such natural grace and beauty. By letting every moment positively shine, he creates a realm that feels so vital, real, and raw. Little choices make a huge difference, whether it is the warm hiss that rests right on the periphery of the sound to the way that the rest of the world always seems to be about to come into view, there is a soothing, meditative spirit about it. Melody, rhythm, and otherworldly sweeps effortlessly come together. Taking a little bit of ambience into the mix Ian Hawgood lets the whole exploration of sound happen in a leisurely fashion...With “光” Ian Hawgood goes for a quiet sort of playfulness, a childlike sense of wonder that informs the entirety of the journey.' Beach Sloth
'Whether in need of respite from life’s jaded, sharp negatives; desiring to escape to one’s own childhood memories for a short time; or simply seeking a beautiful collection of “auditory minimalism” as Hawgood himself puts it: the music of ‘光’ will captivate, relax, and allow creativity and contemplation to flow freely within any listener.' Piano and Coffee
'Appunto come raggi di luce, impalpabili e sospesi, i brani di “光” rischiarano un’ambience raccolta e profondamente meditativa, donandovi placidi contenuti emotivi che dei riferimenti nipponici riecheggiano la grazia e l’equilibrio di arti – come quella di Hawgood – sintonizzate alla perfezione tra natura ed emozioni umane. In meno di mezz’ora, il lavoro descrive così un itinerario d’ascolto e al tempo stesso interiore, in grado di illuminare ogni solitudine, con leggerezza empatica e rilucente bellezza.' Music Won't Save You
'The playing is very sparse, a few notes, a chord, silence, and fits very much the current (well, seeing as how this is going on, not-so current) modern classical wave of piano players; think Nils Frahm or Max Richter. Yet Hawgood is calmer, more minimalist, quieter than some of his peers, as far as I know their work, and this album is of a great, vulnerable beauty. It took him six years to come up with this and it is a great album, but the sad thing is that it is quite short, at twenty-eight minutes. Each of the pieces seem to flow into each other, usually in the fading of a pieces and the residue left behind the sound effects, yet each piece has a title on the cover. Best enjoyed with some sparse lightning and a fine glass of red wine.' Vital Weekly
'Piano och gamla syntar, melankoliska vemodiga melodier utan att bli sentimentala. Motståndmusik mot vår förhatliga samtid. Vackert som fan.' Discreet Music
'Ian Hawgood’s latest solo work, 光 (2018, Home Normal / Eilean) is a thing of fragile beauty. His piano has exactly the right hazy texture, the compositions the right balance of melancholy and mystery.' Evening of Light
Ian Hawgood's post-classical album with Danny Norbury, Clem Leek, Tim Martin and Aki Tomita. Released in 2012 it became a bit of a classic in the genre and supported their Japan tour in 2013. Home Normal
White Lab Recs had an amazing year of releases in 2020 and kick-off 2021 with this epic compilatoion featuring HN curator Ian Hawgood, The Green Kingdom, anthéne & Simon McCorry, and many more :) Home Normal
As a few others have pointed out, this album has gotten me through the past few months with a calming and nurturing soundscape... looking forward to having the first 4 tracks on vinyl finally... wish I could hang out with everyone else who posted a comment about this album... muthubuntu